the connected effects processor receives no input signal . the FX SEND control is probably too
. This also goes for the built -in effects processor .
your external effects processor to 100 % wet (effects signal only ), before the effects signal
added to the main mix along with “dry ” channel signals .
this instance , the FX control of the channel being used as an effects return should be turned
counterclockwise . otherwise feedback problems can occur !
The stereo PHONES connector ( at the top of the connector panel) is where you connect headphones.
unbalanced CTRL ROOM OUT connector carry the summed effects and main mix signals , as well
soloed channel signals . The PHONE /CONTROL ROOM control adjusts the level of both headphones
main monitor outputs .
The MAIN OUT connectors are unbalanced mono . The main mix signal appears here at a level
0 dBu . The MAIN MIX fader adjusts the volume of these outputs . Depending on how you wish to use your
and which gear you own , you can connect the following equipment .
/CONTROL ROOM OUT
The CD/ T APE INPUTS are used to bring an external signal source (e .g . CD player , tape deck , etc .)
the console . They can also be used as a standard stereo line input , so the output of a second ME .
/T APE INPUT
Alternatively the line or tape output of a hi- fi amplifier with source selection switch could also be hooked
here , allowing you to easily listen to additional sources .
These connectors are laid out RCA connectors and are wired parallel with the MAIN OUT. Connect the
of a computer sound card or a recorder here . The output signal level is setup using the highly accurate
MIX fader .
A stereo dynamics processor ( optional), stereo equalizer ( optional) and the stereo power amplifier for
-range loudspeakers with passive crossovers .
P A SYSTEMS :
If you wish to use multi- way loudspeaker systems without an integrated crossovers. Active crossovers
impiemented directly before the power amplifier , and they divide the frequency range into several
that are first amplified in the amplifiers and then passed on to the corresponding
For mastering using a stereo compressor can be recommended. Use it to custom- tailor the dynamic
of you signal to the dynamic range of the recording equipment you are using . The signal is
the case passed on from the compressor into the recorder .
The SIGNAL LED on the effects module shows the presence of a signal whose level is high enough. This
should always be on . However , make sure that the CLIP LED lights up only sporadically .
it is constantly , you are overdriving thr effects processor , which leads to unpleasant distortion .
this occurs , turn the FX controls down somewhat . SIGNAL and CLIP LED 100 FIRST -CLASS EFFECTS
The PROGRAM control has two functions: by turning the PROGRAM control, you dialed the number of
effect . The number of the preset you just dialed up blinks in the display . T o confirm your selection , press
PROGRAM control ; the blinking stops . PROGRAM
a built -in digital stereo effects processor . This ef fects
offers a large number of standard ef fects such as Hall , Chorus , Flanger , Delay and various
effects . Using the FX control , you can feed signals into the ef fects processor . The integrated
module has the advantage of requiring no wiring . This way , the danger of creating ground loops or
signal levels is eliminated at the output , completely simplifying the handing . The StudioMix 10 / StudioMix 12
The FX TO MAIN control feeds the ef fects signal into the main mix . If the control is turned all the way
, no effects signal is present in the signal of the mixing console . FX TO MAIN
The appendix contains an overview of all presets of the multi effects processor.
.5 Digital effects processor
/DL Y 40 -59
7 4 -79
TI 80 -89
-BIT DUAL ENGINE DSP
-BIT A /D & D /A CONVERTER
. 2 .5 : Effects section
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