do not connect microphones to the mixer (or the stagebox /wallbox ) as long as the
power supply in switched on . Connect the micro -Phones before you switch on
power supply . IN addition , the monitor /P A loudspeakers should be muted before you
the phantom power supply . After switching on , wait approx . one minute in order
allow system stabilization .
The blue POWER LED indicates that the console in powered on. LEVEL INDICATOR
The high- precision 4- segment display accurately displays the relevant signal level. 2 .4 Main section
The red + 48 V LED lights up when phantom power is turned on. Phantom power is required to operate
microphones and is activates using the +48 V switch located above the +48 V LED . + 48 V
. 2 .4 : Control elements of the main section
! Y ou must never use unbalanced XLR connectors (PIN 1 to 3 connected ) on the
input connectors if you want to use the phantom power supply .
When the T APE TO MIX switch is depressed , the 2 -track input is assigned to the main mix providing
additional input for tape machines , MIDI instruments or other signal sources that do not require any
/T APE TO MIX
Press the CD/ T APE TO CTRL ROOM /PHONES switch if you want to monitor the 2 -track input via the CTRL
OUT . This provides an easy way to monitor signals coming back from tape to ensure that they are
/T APE TO CTRL
you are recording a signal via the CD /T APE OUTPUT and wish to listen to this simultaneously via
CD /T APE INPUT , do not use the CD /T APE TO MIX switch . Doing this would create a feedback
, since the signal would be routed , via the main mix , back to tape via the CD /T APE OUTPUT .
o monitor the CD /T APE INPUT , use the CD /T APE TO CTRL ROOM switch to assign the tape signal
to the monitor( s) or headphones. This will avoid the tape signal being routed to the CD/ T APE
If you want to monitor only the FX send signal in your headphones or monitor speaker( s), press the
TO CTRL switch . Now the signal of the ef fects processor can be monitored alone , and the main mix
/or CD /tape signal is no longer present on the phone and control room outputs .
T o correctly set the gains of the channels , first set the LEVEL controls of the input channels to their center
(0 dB ) Then use the TRIM controls to increase the input amplification until signal peaks show 0 dB
the level meter .
When recording to digital recorders, the recorder s peak meter should not go into overload. While analog
can be overloaded to some extent , creating only a certain amount of distortion (which is common
often desirable ), digital recorders distort quickly when overloaded . In addition , digital distortion is not only
, but also renders your recording completely useless .
peak meters of your ME display the level virtually independent of frequency . A recording
of 0 dB is recommended for all signal types .
When recording to an analog device. the VU meters of the recording machine should reach approx. + 3 dB
low -frequency signals (e .g . kick drum ). Due to their inertia VU meters tend to display too low a signal level
frequencies above 1 kHz . This is why , for example , a Hi -Hat should only be driven as far as -10 dB . Since
should be driven to approx 0 dB .
Use the MAIN MIX fader to adjust the volume of the main out.
Use the PHONE/ CONTROL ROOM control to adjust the signal level of the CONTROL ROOM and PHONES
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